What I've been doing....
So, here's what I've been doing! These are two "brangles". Kind of a cross between a bracelet and a bangle. They're done in copper and silver and meant to be worn together. I had a hell of a time with them AFTER I finished them. Put them in a liver of sulfur solution to patina them and the copper came off some of what I thought were ceramic beads! Took the bracelets apart, replaced the beads and tossed in to the tumbler to polish... again! no copper on the "ceramic" beads! Hmmmmm
I love this piece, but I'm not sure anyone else does! That's an agate fish carving there and the glass beads are sea glass. It's not done, I'm looking for a small piece of branch coral and I have to make the the chain. Oh, and patina it... no copper here to worry about!
This is a close up of Mr. Fish. I have another that is incredible, but this one is my "practice" piece.
One thing that was very exciting about going to the storage facility (if that can be exciting...)is that I'm finally getting some of my tools back! My brushes were very important to me, but now, my pliers are like extensions of my hands. The ones I have now are pretty expensive but are ergonomic and really save my hands. In the workshop I had a set of tools at each station, it's not a good idea to be sticking our good pliers into a project that you're soldering, but you use anything handy! In some cases, crappy tools are just fine, but I really did miss some of my buddies... (my micro torch for one).
Any way... these are some of the bracelets that I've created in classes. Jewelry classes are very liberating because instead of copying a project, you learn a technique and then apply it in some sort to a project. i.e. - here's how you do a wrapped link, here's how you do a coil wrapped bead, have at it. My days in actual metal smithing are numbered, my hands have maybe 5 years in them. I don't know why- I use them for about everything! The ring is probably my favorite piece, with many different methods and tools used. The background pattern is actually a stamp of the letter K and the center ring is satin finish. It spins around the base ring!
I'm not using any custom settings to put these photos in here, so I'm sure this post will have them randomly placed! I should really spend an afternoon and read up about blogging so I would have a clue what I'm doing!
WELL... before I got side tracked, my days are numbered in working with raw metal, so I've been very excited about a new (to me) product on the market. It's Precious Metal Clay or PMC for short (also known under the trade name of Art Clay). It comes in 3 forms, well 4 if you count slip. Lump clay, syringe and paper. It was developed by the Japanese (is that politically correct?) originally from silver from recycled computers. It is mixed with an organic compound and water and when it is torch fired or fired in a kiln, the organic compound and water burn off leaving you with .999 pure silver. Or Fine Silver.
I spent a week with one of the Certified Master teachers, Sherry Fotopoulos from Austin. She was in Baton Rouge teaching. It was WONDERFUL - I giggled for the whole week, just thrilled at the things I was learning and bursting with ideas and creativity! Our classes were more structured as far as the projects were concerned, but what you did with them was up to you.
The bracelet was made using the lump clay, rolling it out into coils on texture plates. Everything you see there is made from the clay except the jump ring! The kimono was made using the paper clay and origami! The ancient art of Keum Bo. It is the process of transferring gold foil onto the silver in a heat fusion method. The kimono can be worn as a pin or also as a pendant with a chain or cord strung through the sleeves.
This ori box was created with the lump clay using the slab method. It was built on a paper form which burned away in the kiln. There is some finish work to be done(can we say filing?) but I am very happy with it. It is meant to be worn as a pendant and has small tubes on the side (also made from the clay) and on the bottom to keep the cord in place.
The one thing I'm not crazy about is that you have to use synthetic stones if you are going to fire them in place. Other wise it is post construction and I'm going to fool around with that for a while.
These are the rings we made in the last class. The angled one on the left wold take hours, if not days to make conventionally with hard good and we made both of these in a just a day! The one on the right was basically just teaching setting stones for fireing. The setting is done by syringe, which you can use like wire. Many also decorated the sides with the syringe, but we're all kind of clean and simple girls here. The PMC has about a 11-13% shrinkage so it will tighten and really hold your stone. I love the saddle cut of the stone I used, again a lab grown something. You can "recycle" all of your sanding waste too- into a small bottle or jar with a very little bit of water or oil. Sherry uses lavender oil, and now you have slip! Slip or water is used to bind the clay to each other. The syringe can be used just like wire and you can free form designs, fire them and it's amazing. It solves a lot of design problems and opens up a whole new world where little is impossible- it's so exciting - I just love it!!!

This is the other stuff I've been doing while waiting on my oxy generator. (I couldn't get tanked oxygen for my bead making torch - so I ordered an oxygen concentrator). I'm making them for a shop in Uptown New Orleans, but never seem to have the time to take them up there, so they're going to be listed on eBay. I have a store there now - http://stores.ebay.com/PHDs-Private-Collection_W0QQsspagenameZMEQ3aFQ3aSTQQtZkm I'm selling some of my miniature accessories, s-crapbooking stuff and some books that seem too nice to just give to Goodwill. (our library is not finished yet). Later, I'll use it as a venue for my beads and jewelry too. My days are numbered with doing torch work too, unless I go to off mandrel stuff... some days I can't get the beads off the mandrel and it seems silly to have to hire some young thing to do that for me!
It seemed wise to get a different eBay id for this - why I thought this I don't know... but I did. It came to me when Bob and I were having dinner one night with Skylar and he asked me if I knew how many classes (miniature, scrapbooking, jewelry) I've taken over the years... I thought it was coming from his CPA head and that he was going to tell me some tax related info. NOT! He looked at me and said, "You should have a PHD in crafting by now!" Bob and I thought it hilarious, and my new eBay id became phdincollecting because, for some reason known only to God, I am like Noah and seem to buy things in pairs (or more). So I have plenty of stuff hanging around I have no use or room for!
Any way, back to the beaded stuff... (shameless plug) the beads are all hand made, annealed for lasting durability etc., etc and I loved the look of them on these pieces. The pens are surprisingly comfortable too!
I noticed at JC's house when I was there last that his ceiling fan pulls were rather unattractive, so I'm going to be doing those as well!
So, that's what I've been doing... what's up with you?













So, there I was using my "little" steamer. It probably does maybe 3 dozen crabs... maybe more, at a time... so it was slow going for 25 people! The seasoning is home made (very hot!) thanks to some stuff that Lolly sends me down from New Jersey. She grew up in Baltimore so she does steamed crabs too. The end result is this... which turns into...














Now at first glance you might think that this is pretty much the same photo from last time - but it is NOT. He did leave the lower left cubby pretty much alone, but this time he cleared off the countertop too! There were paw prints every where! So Mr. General was given a doggy time out. We still can't figure out how he managed to pull the crate front off.














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